Keep doing this throughout the composition. Click the Starting Point button in the Effects Control Panel and move the beam's starting point to the new position. Hit your keyboard Page Down key a few times to move the composition forward a few frames (until the stick moves a little). It's actually very easy - it just takes patience. In the same way that we set the start and end points above, we need to do this every few frames as the lightsaber moves. Click the Outside Color selector and choose a more saturated color for the outside of the beam. Click the Inside Color selector and choose a color for the inner beam. In this example the settings are 55 and 40 respectively. In the Effects Controls panel, adjust the Starting Thickness and Ending Thickness until the beam takes the correct shape. However we can change these settings later if we want to. We only need to do this once - the settings will follow the animation. Now with the beam in the right place, we can adjust the color and width. Click the Ending Point button and then click the end of the stick. Crosshairs appear in the Composition panel - click the base of the stick to make this the starting point of the beam. This sets us up for animating the beam later. Click the stopwatch icons to the the left of Starting Point and Ending Point. In the Effects Control panel, set the length value to 100%. Scrub through the timeline and find a good frame near the start to match the beam to the stick. The timeline looks something like this:įirst we need to match the length and position of the beam to the prop (i.e. Add the beam effect to this layer (it's in the Effect & Presets panel, under Generate > Beam). In our example the video file is called raw-dave1.m2t.Ĭreate a new black solid and name it Beam. In this case we will use the stick as a guide and superimpose the beam on top of it.īegin by importing the video file and making a new composition. I shot the footage using a stick for the lightsaber. The example I'm going to use is a very quick and simple effect featuring a person turning on and waving a lightsaber. 
There are a couple of different ways to do this but the best results involve setting regular keyframes for the start and end points of the beam. The part that takes the time is animating the beam.
With only minor adjustments you can make a convincing lightsaber in whatever color and size you like. This effect creates a short beam somewhat like a lightsaber by default. The saga is packed with sounds, with a lot of fascinating behind-the-scenes stories of their creation available in the series' extensive featurettes.The easiest way to make a lightsaber in After Effects CS3 is with the Beam effect. With the legendary Ben Burtt at the helm of the Star Wars sounds, there is brilliance aplenty, ranging from the sounds of weapons, characters, creatures, vehicles, and more. In all of cinema, there are few, if any, movies and franchises with sounds anywhere near as iconic as those in Star Wars. Updated on August 2nd, 2021 by Rhys McGinley: It is not massive Star Wars news to say that the franchise has some truly awesome sound effects.
Ranging from the sounds of a blaster to a lightsaber to Chewbacca’s roar, fans will forever replicate Star Wars sound effects. RELATED: The 10 Best Planets In Star WarsĪs well as all the iconic imagery, Star Wars also has its fair share of iconic sounds that have stuck with fans throughout the decades. This is down to the hard work and talents of Industrial Lights and Magic, which was founded by George Lucas way back in 1975 for the production of the first film, which helped give A New Hope some incredible effects. Since its inception, Star Wars has been at the forefront of visual effects, revolutionizing the way audiences watch movies.
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